The Market—EVENING
I am browsing an antique booth in the Market with a group from work. But everyone is ignoring me, especially Iris, the new girl, whom I am trying to impress. The redhead.
I say something witty and there is a murmur of appreciation and then I say “That’s me the heart of the group,” and storm off.
I find a display of ceramic elephants that make me smile, but they are too expensive and who cares when you are alone. I find the same effect with art, books, etc. Some neat stuff but who to share it with?
Whatever.
I am going to put all these thoughts together for my publisher. The book will be a fragmented story including sketches and fake correspondence to a publisher. Something of a scrapbook of a failed writer. I think it’s ironic.
I decide to leave the Market passing two kids who are running out the back of the store and I follow because some black cows are beginning to stampede. I ward off a few cows, noticing there is a small cemetery out there behind the Market that the cattle are charging through.
Though he cows go around me I fear they won’t see the kids. So I grab the kids and hold them close to shield them. When the herd passes I take my notes and the kids around to the front. I drop us all at the bus stop to work in peace.
But I can’t.
So I flip through the Market circular. It advertises booze but I overhear they don’t serve them anymore, only ice-cream.
As I sit on a bench. I notice the redheads, still milling around inside. Distracted. I don’t see Andrea enter the bus shelter.
She sits next to me.
“Qu'est-ce que tu fais?”
I shrug.
“Pourquoi êtes-vous si triste?”
“I am shocked,” I say, “I am shocked to be confronted with the all the girls who ever cared for me all at once.”
“All?” she says, “Que voulez-vous dire?»
“Zut!” She thrusts her arms and legs around me and smiling close to my face, “Try 300. Don’t you know everyone loves you? Look around!”
I shrug this off and say, “Well, I’m a complicated man.”
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